By Jeremy Fernando

Jeremy Fernando presents: ‘Song of Penelope’ by Ella Wee

Jeremy Fernando presents: ‘Icarus’ by Amanda Tee

‘Sobre viver na era da pandemia’ por Jeremy Fernando, traduzido por Vitor Pequeno

‘Sobre viviendo en tiempos de pandemia’, por Jeremy Fernando, traducido por Manuel Bernardo Vargas Ricalde

‘Sur la vie à l’ère d’une pandémie’ par Jeremy Fernando, traduit par Pavan Mano

Jeremy Fernando presents: ‘The Falling of Away’ by One White Raven

‘Liebe (Teil 2)’ von Lilith

Jeremy Fernando presents: ‘Dismember Me’ by A Talon Touches The Lake

‘Nirvana’ by Lilith

‘Love’ by Lilith

‘Arguments: Missives (March – April 2019)’ by Lilith

‘Ravings of a Madwoman’ by Lilith

‘Pour Casey, et le monde que tu représentes’ par Céline Coderey (traduit par Jeremy Fernando)

‘At the risk of bedazzlement’ by Anne Dufourmantelle (translated by Jeremy Fernando)

Jeremy Fernando presents: ‘Murderous Android Sheep’ by One White Raven (feat Stephanie Hsueh)

Jeremy Fernando presents: ‘Surprised by Beauty’ by Joel Gn

‘Beauty and Cognition: The Sensibilities of Delere Press’ by Sara Lau

Jeremy Fernando presents: ‘You Can’t Touch Me Now’ by Ugly in the Morning

Jeremy Fernando presents: ‘Should Have Loved You More’ by The Symbolic Order

On the films of Wesley Leon Aroozoo

an epic, fail … or, reading Yahia Lababidi

Jeremy Fernando presents: four poems by R

the risk of friendship …

Jeremy Fernando presents: ‘Magenta Bound’ by The Symbolic Order

Jeremy Fernando presents: ‘Voyeurgeist’ by Setsuko Adachi

Jeremy Fernando presents: ‘Sliema Bay’ by Ling Teo

Jeremy Fernando presents: ‘Crimping’ by Ling Teo

‘Writing lightly on Jeremy Fernando’ — a photo essay by Jarratt Ong

Jeremy Fernando presents: ‘Fields of Silence’ by The Symbolic Order

Jeremy Fernando presents: ‘In This Silence’ by One White Raven