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Something Happened on the Day David Died: Reflections on Bowie’s Passing One Month On
Music Review: Leave Me Alone
REVIEW: Neon Indian – VEGA INTL. Night School
Music Review: Tramlines Festival 2015, Sheffield
Gleaning More About Shadows & Sand: An Interview With Brooke Calder
BITCH BETTA HAVE MA MONEY-RIHRIH
Music Review: Desaparecidos – Payola
Tea, Waves and Savage Ducks: The Genius of Camille’s ‘Music Hole’
Music Review: Florence + The Machine – How Big, How Blue, How Beautiful
Gaming Review: Monster Rancher 2
Back Story Folk Guitar
Learning To Love A Phish Head by Kayla Candrilli
Live at the Escritório: Navigating Lê Almeida’s Indie Rock and Noise Pop in Rio
MONSTER RANCHER REVIEWS: Death Grips – The Powers That B
Video Review: Minah is Best Waifu
Tori Amos: Sex, Sin and Scissors (Part Two)
Tori Amos: Sex, Sin and Scissors (Part One)
From Inverted// Decadence: The Poetics of Nirvana (Part Two)
You Owe Me: Notes Toward An Appreciation of Rihanna’s ‘Bitch Better Have My Money’
From Inverted// Decadence: The Poetics of Nirvana (Part One)
Sonnets and Unrealities: Bjork and ee cummings
Review: Kendrick Lamar – To Pimp A Butterfly
From 440 Hz Back to 432 Hz
Personal Jesus Built My Hotrod
Father John Misty: Metamodernism’s Epic Poet
Music Review: Of Montreal – Aureate Gloom
CONTROL AND SUICIDE Part Two
To Bring You My Love At 20
CONTROL AND SUICIDE Part One
Music Review:
A Wrecking
by Snow Ghosts
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