Will and Representation

The opening credits to Fassbinder’s 1979 The Third Generation (the person watching TV like a dead person is watching Bresson’s The Devil, Probably, 1977) are as important as the opening credits to Bresson’s Lancelot du Lac. Both films are in LOVE DOG and the forthcoming, DECADES. The best part about making work is to talk to the work of others.

Crossposted with Love Dog.

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