Deleuze on Godard in Cinema 2:

…where reflection is not simply focused on the content of the image but on its form, its means and functions, its falsifications and creativities, on the relations within it between the sound dimension and the optical…Godard has little patience for fantasies: Slow Motion will show us the decomposition of a sexual fantasy into its separate, objective elements, visual, and then of sound.

Piece crossposted at Love Dog